![]() works best when it morphs into something akin to a western. (There’s an impactful subplot involving Mattias, hardly a poster child for enlightened fatherhood, and his estranged wife in a tug-of-war over how to parent Rudi.)īut with its gutsy performances, especially from the terrific Slate, and one mighty scene involving a climactic town hall meeting that somehow juggles 26 different speaking characters in a single 17-minute take, R.M.N. takes a while to find them, its complex web of human relationships is compelling in itself. It’s the things that are hidden that matter here, and while inevitably R.M.N. One climactic scene somehow juggles 26 different speaking characters in a single 17-minute take The town slowly turns, with the local priest as a mediator who comes depressingly close to doubling up as a cheerleader for the angry mob. And the wider cancer here takes root when Csilla and the bakery’s owner hire three diligent, polite Sri Lankan men to fill the gap in their workforce. stands for ‘Rezonanta Magnetica Nucleara’, a medical scan that detects malignancies in the brain like the one attacking Matthias’s dad’s cerebral function. Sure enough, via long, unblinking takes and with a steady camera that occasionally switches to jerky handheld, Mungiu slowly reveals what’s really on his mind: a substrata of xenophobia, nationalism and racism that lies beneath it all. The town’s ever-barking dogs seem to detect something darker lying in wait. ![]() It’s Christmas and it should be a moment of celebration.Įven the unexpected return of Csilla’s sometime bedfellow, the gruff, volatile Matthias (Marin Grigore), from a job in a German abattoir, and the spectre of whatever it is in the local forests that has spooked Matthias’s young son, Rudi (Mark Blenyesi), into muteness, can’t quite break the equilibrium. ![]() In her spare time, she plays cello, prepping for the town’s festive concert. The setting, a small Translyvanian town nestled in the Carpathians, is a seemingly straightforward, mutually supportive community, despite its historically combustible mix of Romanians, Hungarians and German-speakers. A local bakery, managed by a bright, ambitious Hungarian woman called Csilla (Judith State), is expanding and urgently hiring new staff, albeit at lower pay than the locals are prepared to accept. ![]() It’s a dense, ominous and fiercely socially-conscious jab at xenophobia and nationalism in his homeland – and far beyond. Timings: Every day from 11:00 am to 9:00 pm.Romania’s Cristian Mungiu is not a prolific director – he’s made only three films since his devastating, Palme d’Or-winning abortion drama 4 Months, 3 Weeks and 2 Days in 2007 – and you can feel the weight of heavy contemplation in R.M.N. Where: Centre Pompidou, Place Georges-Pompidou, 75004 Paris With his captivating photographs ranging from a dawn on a Paris street, a ray of light filtering through New York’s skyscrapers, to reflections on a wet tarmac, Stettner managed to capture with incomparable acuity the dynamics of the human figure and the captivating rhythm of ever-changing cityscapes. ![]() While initially planning to stay for just a few weeks, he travelled back and forth between France and the United States before finally settling down in Paris in the 1990s. Formerly a photographer for the American army in the Pacific during the Second World War, Stettner arrived in Paris in 1946. About Louis Stettnerīorn in Brooklyn in 1922, Louis Stettner is one of the most important American photographers who changed the world of street photography. This new selection of vintage prints and the book dummy are some of the most important highlights of the exhibition. This impressive exhibition has been made possible by an exceptional donation of 104 photographic prints by the artist himself to Centre Pompidou.The donation has been further augmented by an acquisition of seven of his most important vintage prints and the dummy of his unpublished book “ Pepe & Tony” (1956). With a hundred odd works, Centre Pompidou’s Ici, Ailleurs is a poetic tribute to one of the greatest American photographers alive today. Some of the photographer’s most famous images, including Aubervilliers (1947), Brooklyn Promenade (1954) and Manège (1949) are on view at the exhibition, as well as his more recent work exploring the Alpilles uplands of southern France. ![]()
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