![]() ![]() The work, made in two shades of brown ink, shows the shivering man depicted in the Baptism of the Neophytes, a fresco adorning the Santa Maria del Carmine Church in Florence by the early Italian Renaissance master Masaccio (1401-28). The French government recently removed this designation and has granted its export licence, enabling the drawing to be offered without any restriction to collectors worldwide, Christie’s says. “Paul Joannides, the emeritus professor of art history at Cambridge University and author of the complete catalogues of drawings by Michelangelo and his school in the Ashmolean Museum, Oxford, and the Musée du Louvre, later was able to study the original, and supports the attribution,” the statement adds.Īccording to our sister newspaper, The Art Newspaper France, the work comes from a French collection and was classed as a “national treasure” by the French government in 2019 to prevent it being exported abroad (under French law, such works can be held for up to 30 months). Christie’s says in a statement that the drawing was first recognised as a work of Michelangelo in 2019 by Furio Rinaldi, then a specialist in Christie’s department of Old Master Drawings (he is now curator of drawings and prints at the Fine Arts Museums of San Francisco). However, when the work, dating from the late 15th century, was sold in 1907 at the Hôtel Drouot in Paris, it was attributed to “the school of Michelangelo” (lot 34 under the description Michel-Ange, École de). ![]() A nude young man (after Masaccio) surrounded by two figures has been consigned to the Old Masters and 19th-century art: paintings, drawings and sculptures sale in Paris on 18 May. Another member of the Medici family, he declared his intention to resume work on the facade on several occasions, and it was only on his death (1534) that all possibility of carrying out the ambitious and troubled, project vanished for good.A newly attributed drawing by Michelangelo will go under the hammer at Christie’s Paris next month with an estimate "in the region of €30m", the auction house says. After the brief pontificate of Hadrian VI, Clement VII ascended the throne. But the building work proceeded, though at a slow pace, and there are reliable records of it continuing up until the April of 1521. On March 10, 1520, Michelangelo himself registered the rescission of the contract, though only with regard to the supply of marble, and the material that had already been collected was used to pave the church of Santa Maria del Fiore. In all likelihood it was the clearly-defined image in the last of these drawings that was translated into the large wooden model in Casa Buonarroti, which itself reflects the passage from the design stage to that of execution, as specified in the contract drawn up between Leo X and the artist on January 19, 1518. Michelangelo’s design of the facade went through three main phases, which can be identified in three drawings in the collection of Casa Buonarroti, nos. He made people forget all about the external structure of the church by concealing it behind the secular front of a splendid private palace. Having shaken off his competitors at last, he came up with an ingenious solution to the problem that had always beset the architects of the Renaissance: how to apply the classical orders correctly to the irregular facades of church- es on a basilican plan. Over the course of the year 1516 the rivalry between the candidates for such a prestigious commission grew extremely fierce, but in the fall Leo X gave responsibility for the architectural design of the facade to Michelangelo as well. ![]() Though much appreciated at the time, this has now been lost. It seems that at first Michelangelo was entrusted solely with the supervision of the sculptural decoration, while Jacopo Sansovino had Baccio d’Agnolo build a wooden model for the facade. Along with Michelangelo, Antonio and Giuliano da Sangallo, Jacopo Sansovino, Baccio d’Agnolo and even Raphael took part in the competition. This may be why the artist put up such a keen fight to be chosen as author of the final project. The proposal was made at a time when Michelangelo seems to have been particularly interested in the problems of architectural composition. ![]() It was on that occasion that the idea was put forward of holding a competition to design a facade for San Lorenzo, Brunelleschi’s unfinished basilica that had been patronized by the Medici ever since its foundation (in 1421) and was also the family’s chosen place of burial. In 1515, two years after he ascended the papal throne, Leo X, a member of the Medici family, decided to pay a formal visit to Florence between November and December. Press release – The restoration of 342 autograph letters of Michelangelo Buonarroti.Virtual tour – Platform access Google Arts & Culture.Michelangelo and the Fabbrica di San Lorenzo. ![]()
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